A TYPICAL BUSH YARN

Henry Lawson

They were two chaps named Gory and Blanky. They were tramping from Never mineware to Smotherplace. Gory was a bad egg, and Blanky knew it; but they'd fallen in with each other on the track and agreed to travel together for the sake of company. Blanky had £25, which fact was known to Gory, who was stumped.

Every night Gory tried to get the money, which fact was known to Blanky, who never slept with more than one eye shut.

When their tracks divided, Gory said to Blanky:

"Look a-here! Where the deuce do you keep that stuff of yours? I've been tryin' to get holt of it every night when you was asleep."

"I know you have." said Blanky.

"Well, where the blazes did you put it?"

"Under your head!"

"The ---- you did!"

They grinned, shook hands, and parted; and Gory scratched his head very hard and very often as he tramped along the track.

THE SHAKEDOWN ON THE FLOOR

Henry Lawson

SET me back for twenty summers--
For I'm tired of cities now--
Set my feet in red-soil furrows
And my hands upon the plough,
With the two 'Black Brothers' trudging
On the home stretch through the loam--
While, along the grassy siding,
Come the cattle grazing home.

And I finish ploughing early,
And I hurry home to tea--
There's my black suit on the stretcher,
And a clean white shirt for me.
There's a dance at Rocky Rises,
And, when all the fun is o'er,
For a certain favoured party
There's a shake-down on the floor.

You remember Mary Carey,
Bushmen's favourite at the Rise?
With her sweet small freckled features,
Red-gold hair, and kind grey eyes;
Sister, daughter, to her mother,
Mother, sister, to the rest--
And of all my friends and kindred,
Mary Carey loved me best.

Far too shy, because she loved me,
To be dancing oft with me;
What cared I, because she loved me,
If the world were there to see?
But we lingered by the slip rails
While the rest were riding home,
Ere the hour before the dawning,
Dimmed the great star-clustered dome.

Small brown hands that spread the mattress
While the old folk winked to see
How she'd find an extra pillow
And an extra sheet for me.
For a moment shyly smiling,
She would grant me one kiss more--
Slip away and leave me happy
By the shake-down on the floor.

Rock me hard in steerage cabins,
Rock me soft in wide saloons,
Lay me on the sand-hill lonely
Under waning western moons;
But wherever night may find me
Till I rest for evermore
I will dream that I am happy
On the shake-down on the floor.

Ah! she often watched at sunset--
For her people told me so--
Where I left her at the slip-rails
More than fifteen years ago.
And she faded like a flower,
And she died, as such girls do,
While, away in Northern Queensland,
Working hard, I never knew.

And we suffer for our sorrows,
And we suffer for our joys,
From the old bush days when mother
Spread the shake-down for the boys.
But to cool the living fever,
Comes a cold breath to my brow,
And I feel that Mary's spirit
Is beside me, even now.

THE ROVERS

Henry Lawson

SOME born of homely parents
For ages settled down--
The steady generations
Of village, farm, and town:
And some of dusky fathers
Who wandered since the flood--
The fairest skin or darkest
Might hold the roving blood--

Some born of brutish peasants,
And some of dainty peers,
In poverty or plenty
They pass their early years;
But, born in pride of purple,
Or straw and squalid sin,
In all the far world corners
The wanderers are kin.

A rover or a rebel,
Conceived and born to roam,
As babies they will toddle
With faces turned from home;
They've fought beyond the vanguard
Wherever storm has raged,
And home is but a prison
They pace like lions caged.

They smile and are not happy;
They sing and are not gay;
They weary, yet they wander;
They love, and cannot stay;
They marry, and are single
Who watch the roving star,
For, by the family fireside,
Oh, lonely men they are!

They die of peace and quiet--
The deadly ease of life;
They die of home and comfort;
They live in storm and strife;
No poverty can tie them,
Nor wealth nor place restrain--
Girl, wife, or child might draw them,
But they'll be gone again!

Across the glowing desert;
Through naked trees and snow;
Across the rolling prairies
The skies have seen them go;
They fought to where the ocean
Receives the setting sun;--
But where shall fight the rovers
When all the lands are won?

They thirst on Greenland snowfields,
On Never-Never sands;
Where man is not to conquer
They conquer barren lands;
They feel that most are cowards,
That all depends on 'nerve,'
They lead who cannot follow,
They rule who cannot serve.

Across the plains and ranges,
Away across the seas,
On blue and green horizons
They camp by twos and threes;
They hold on stormy borders
Of states that trouble earth
The honour of the country
That only gave them birth.

Unlisted, uncommissioned,
Untaught of any school,
In far-away world corners
Unconquered tribes they rule;
The lone hand and revolver--
Sad eyes that never quail--
The lone hand and the rifle
That win where armies fail.

They slumber sound where murder
And treachery are bare--
The pluck of self-reliance,
The pluck of past despair;
Thin brown men in pyjamas--
The thin brown wiry men!--
The helmet and revolver
That lie beside the pen.

Through drought and desolation
They won the way Out Back;
The commonplace and selfish
Have followed on their track;
They conquer lands for others,
For others find the gold,
But where shall go the rovers
When all the lands are old?

A rover and a rebel--
And so the worlds commence!
Their hearts shall beat as wildly
Ten generations hence;
And when the world is crowded--
'Tis signed and sealed by Fate--
The roving blood will rise to make
The countries desolate.

THE LIGHTS OF COBB AND CO.

Henry Lawson

FIRE LIGHTED, on the table a meal for sleepy men,
A lantern in the stable, a jingle now and then;
The mail coach looming darkly by light of moon and star,
The growl of sleepy voices--a candle in the bar.
A stumble in the passage of folk with wits abroad;
A swear-word from a bedroom--the shout of 'All aboard!'
'Tchk-tchk! Git-up!' 'Hold fast, there!' and down the range we go;
Five hundred miles of scattered camps will watch for Cobb and Co.

Old coaching towns already 'decaying for their sins,'
Uncounted 'Half -Way Houses,' and scores of 'Ten Mile Inns;'
The riders from the stations by lonely granite peaks;
The black-boy for the shepherds on sheep and cattle creeks;
The roaring camps of Gulgong, and many a 'Digger's Rest;'
The diggers on the Lachlan; the huts of Farthest West;
Some twenty thousand exiles who sailed for weal or woe;
The bravest hearts of twenty lands will wait for Cobb and Co.

The morning star has vanished, the frost and fog are gone,
In one of those grand mornings which but on mountains dawn;
A flask of friendly whisky--each other's hopes we share--
And throw our top-coats open to drink the mountain air.
The roads are rare to travel, and life seems all complete;
The grind of wheels on gravel, the trot of horses' feet,
The trot, trot, trot and canter, as down the spur we go--
The green sweeps to horizons blue that call for Cobb and Co.

We take a bright girl actress through western dust and damps,
To bear the home-world message, and sing for sinful camps,
To wake the hearts and break them, wild hearts that hope and ache--
(Ah! when she thinks of those days her own must nearly break!)
Five miles this side the gold-field, a loud, triumphant shout:
Five hundred cheering diggers have snatched the horses out:
With 'Auld Lang Syne' in chorus through roaring camps they go--
That cheer for her, and cheer for Home, and cheer for Cobb and Co.

Three lamps above the ridges and gorges dark and deep,
A flash on sandstone cuttings where sheer the sidings sweep,
A flash on shrouded waggons, on water ghastly white;
Weird bush and scattered remnants of rushes in the night
Across the swollen river a flash beyond the ford:
'Ride hard to warn the driver! He's drunk or mad, good Lord!'
But on the bank to westward a broad, triumphant glow--
A hundred miles shall see to-night the lights of Cobb and Co.!

Swift scramble up the siding where teams climb inch by inch;
Pause, bird-like, on the summit--then breakneck down the pinch
Past haunted half-way houses--where convicts made the bricks--
Scrub-yards and new bark shanties, we dash with five and six--
By clear, ridge-country rivers, and gaps where tracks run high,
Where waits the lonely horseman, cut clear against the sky;
Through stringy-bark and blue-gum, and box and pine we go;
New camps are stretching 'cross the plains the routes of Cobb and Co.

. . . . .

Throw down the reins, old driver--there's no one left to shout;
The ruined inn's survivor must take the horses out.
A poor old coach hereafter!--we're lost to all such things--
No bursts of songs or laughter shall shake your leathern springs
When creeping in unnoticed by railway sidings drear,
Or left in yards for lumber, decaying with the year--
Oh, who'll think how in those days when distant fields were broad
You raced across the Lachlan side with twenty-five on board.

Not all the ships that sail away since Roaring Days are done--
Not all the boats that steam from port, nor all the trains that run,
Shall take such hopes and loyal hearts--for men shall never know
Such days as when the Royal Mail was run by Cobb and Co.
The 'greyhounds' race across the sea, the 'special' cleaves the haze,
But these seem dull and slow to me compared with Roaring Days!
The eyes that watched are dim with age, and souls are weak and slow,
The hearts are dust or hardened now that broke for Cobb and Co.

THE BATTLING DAYS

Henry Lawson

SO, sit you down in a straight-backed chair, with your pipe and your wife content,
And cross your knees with your wisest air, and preach of the 'days mis-spent;'
Grown fat and moral apace, old man! you prate of the change 'since then'--
In spite of all, I'd as lief be back in those hard old days again.

They were hard old days; they were battling days; they were cruel at times--but then,
In spite of all, I would rather be back in those hard old days again.
The land was barren to sow wild oats in the days when we sowed our own--
('Twas little we thought or our friends believed that ours would ever be sown)

But the wild oats wave on their stormy path, and they speak of the hearts of men--
I would sow a crop if I had my time in those hard old days again.
We travel first, or we go saloon--on the planned-out trips we go,
With those who are neither rich nor poor, and we find that the life is slow;

It's 'a pleasant trip' where they cried, 'Good luck!' There was fun in the steerage then--
In spite of all, I would fain be back in those vagabond days again.
On Saturday night we've a pound to spare--a pound for a trip down town--
We took more joy in those hard old days for a hardly spared half-crown;

We took more pride in the pants we patched than the suits we have had since then--
In spite of all, I would rather be back in those comical days again.
'Twas We and the World--and the rest go hang--as the Outside tracks we trod;
Each thought of himself as a man and mate, and not as a martyred god;

The world goes wrong when your heart is strong--and this is the way with men--
The world goes right when your liver is white, and you preach of the change 'since then.'
They were hard old days; they were battling days; they were cruel times--but then,
In spite of all, we shall live to-night in those hard old days again.

SYDNEY-SIDE

Henry Lawson

WHERE'S the steward?--Bar-room steward? Berth? Oh, any berth will do--
I have left a three-pound billet just to come along with you.
Brighter shines the Star of Rovers on a world that's growing wide,
But I think I'd give a kingdom for a glimpse of Sydney-Side.

Run of rocky shelves at sunrise, with their base on ocean's bed;
Homes of Coogee, homes of Bondi, and the lighthouse on South Head.
For in loneliness and hardship--and with just a touch of pride--
Has my heart been taught to whisper, 'You belong to Sydney-Side.'

Oh, there never dawned a morning, in the long and lonely days,
But I thought I saw the ferries streaming out across the bays--
And as fresh and fair in fancy did the picture rise again
As the sunrise flushed the city from Woollahra to Balmain:

And the sunny water frothing round the liners black and red,
And the coastal schooners working by the loom of Bradley's Head;
And the whistles and the sirens that re-echo far and wide--
All the life and light and beauty that belong to Sydney-Side.

And the dreary cloud-line never veiled the end of one day more,
But the city set in jewels rose before me from 'The Shore.'
Round the sea-world shine the beacons of a thousand ports o' call,
But the harbour-lights of Sydney are the grandest of them all!

Toiling out beyond Coolgardie--heart and back and spirit broke,
Where the Rover's Star gleams redly in the desert by the 'soak'--
But says one mate to the other, 'Brace your lip and do not fret,
We will laugh on trains and 'buses--Sydney's in the same place yet.'

Working in the South in winter, to the waist in dripping fern,
Where the local spirit hungers for each 'saxpence' that we earn--
We can stand it for a season, for our world is growing wide,
And they all are friends and strangers who belong to Sydney-Side.

'T'other-siders! T'other-siders!' Yet we wake the dusty dead;
It is we that send the backward province fifty years ahead;
We it is that 'trim' Australia--making narrow country wide--
Yet we're always T'other-siders till we sail for Sydney-side.

SONG OF THE OLD BULLOCK-DRIVER

Henry Lawson

FAR BACK in the days when the blacks used to ramble
In long single file 'neath the evergreen tree,
The wool-teams in season came down from Coonamble,
And journeyed for weeks on their way to the sea,
'Twas then that our hearts and our sinews were stronger,
For those were the days when the bushman was bred.
We journeyed on roads that were rougher and longer
Than roads where the feet of our grandchildren tread.

With mates who have gone to the great Never-Never,
And mates whom I've not seen for many a day,
I camped on the banks of the Cudgegong River
And yarned at the fire by the old bullock-dray.
I would summon them back from the far Riverina,
From days that shall be from all others distinct,
And sing to the sound of an old concertina
Their rugged old songs where strange fancies were linked.

We never were lonely, for, camping together,
We yarned and we smoked the long evenings away,
And little I cared for the signs of the weather
When snug in my hammock slung under the dray.
We rose with the dawn, were it ever so chilly,
When yokes and tarpaulins were covered with frost,
And toasted the bacon and boiled the black billy,
Where high on the camp-fire the branches were tossed.

On flats where the air was suggestive of 'possums,
And homesteads and fences were hinting of change,
We saw the faint glimmer of appletree blossoms
And far in the distance the blue of the range;
And here in the rain, there was small use in flogging
The poor, tortured bullocks that tugged at the load,
When down to the axles the waggons were bogging
And traffic was making a marsh of the road.

'Twas hard on the beasts on the terrible pinches,
Where two teams of bullocks were yoked to a load,
And tugging and slipping, and moving by inches,
Half-way to the summit they clung to the road.
And then, when the last of the pinches was bested,
(You'll surely not say that a glass was a sin?)
The bullocks lay down 'neath the gum trees and rested--
The bullockies steered for the bar of the inn.

Then slowly we crawled by the trees that kept tally
Of miles that were passed on the long journey down.
We saw the wild beauty of Capertee Valley,
As slowly we rounded the base of the Crown.
But, ah! the poor bullocks were cruelly goaded
While climbing the hills from the flats and the vales;
'Twas here that the teams were so often unloaded
That all knew the meaning of 'counting your bales.'

And, oh! but the best-paying load that I carried
Was one to the run where my sweetheart was nurse.
We courted awhile, and agreed to get married,
And couple our futures for better or worse.
And as my old feet grew too weary to drag on
The miles of rough metal they met by the way,
My eldest grew up and I gave him the waggon--
He's plodding along by the bullocks to-day.

RAIN IN THE MOUNTAINS

Henry Lawson

THE VALLEY'S full of misty cloud,
Its tinted beauty drowning,
The Eucalypti roar aloud,
The mountain fronts are frowning.

The mist is hanging like a pall
From many granite ledges,
And many a little waterfall
Starts o'er the valley's edges.

The sky is of a leaden grey,
Save where the north is surly,
The driven daylight speeds away,
And night comes o'er us early.

But, love, the rain will pass full soon,
Far sooner than my sorrow,
And in a golden afternoon
The sun may set to-morrow.

FOREIGN LANDS

Henry Lawson

YOU may roam the wide seas over, follow, meet, and cross the sun,
Sail as far as ships can sail, and travel far as trains can run;
You may ride and tramp wherever range or plain or sea expands,
But the crowd has been before you, and you'll not find 'Foreign Lands;'
For the Early Days are over,
And no more the white-winged rover
Sinks the gale-worn coast of England bound for bays in Foreign Lands.

Foreign Lands are in the distance dim and dreamlike, faint and far,
Long ago, and over yonder, where our boyhood fancies are,
For the land is by the railway cramped as though with iron bands,
And the steamship and the cable did away with Foreign Lands.
Ah! the days of blue and gold!
When the news was six months old--
But the news was worth the telling in the days of Foreign Lands.

Here we slave the dull years hopeless for the sake of Wool and Wheat
Here the homes of ugly Commerce--niggard farm and haggard street;
Yet our mothers and our fathers won the life the heart demands--
Less than fifty years gone over, we were born in Foreign Lands.

When the gipsies stole the children still, in village tale and song,
And the world was wide to travel, and the roving spirit strong;
When they dreamed of South Sea Islands, summer seas and coral strands--
Then the bravest hearts of England sailed away to Foreign Lands,
'Fitting foreign'--flood and field--
Half the world and orders sealed--
And the first and best of Europe went to fight in Foreign Lands.

Canvas towers on the ocean--homeward bound and outward bound--
Glint of topsails over islands--splash of anchors in the sound;
Then they landed in the forests, took their strong lives in their hands,
And they fought and toiled and conquered--making homes in Foreign Lands,
Through the cold and through the drought--
Further on and further out--
Winning half the world for England in the wilds of Foreign Lands.

Love and pride of life inspired them when the simple village hearts
Followed Master Will and Harry--gone abroad to 'furrin parts'
By our townships and our cities, and across the desert sands
Are the graves of those who fought and died for us in Foreign Lands--
Gave their young lives for our sake
(Was it all a grand mistake?)
Sons of Master Will and Harry born abroad in Foreign Lands!

Ah, my girl, our lives are narrow, and in sordid days like these,
I can hate the things that banished 'Foreign Lands across the seas,'
But with all the world before us, God above us--hearts and hands,
I can sail the seas in fancy far away to Foreign Lands.

THE WRITER'S DREAM

Henry Lawson

A WRITER wrote of the hearts of men, and he followed their tracks afar;
For his was a spirit that forced his pen to write of the things that are.
His heart grew tired of the truths he told, for his life was hard and grim;
His land seemed barren, its people cold--yet the world was dear to him;--
So he sailed away from the Streets of Strife, he travelled by land and sea,
In search of a people who lived a life as life in the world should be.

And he reached a spot where the scene was fair, with forest and field and wood,
And all things came with the seasons there, and each of its kind was good;
There were mountain-rivers and peaks of snow, there were lights of green and gold,
And echoing caves in the cliffs below, where a world-wide ocean rolled.
The lives of men from the wear of Change and the strife of the world were free--
For Steam was barred by the mountain-range and the rocks of the Open Sea.

And the last that were born of a noble race - when the page of the South was fair--
The last of the conquered dwelt in peace with the last of the victors there.
He saw their hearts with the author's eyes who had written their ancient lore,
And he saw their lives as he'd dreamed of such - ah! many a year before.
And 'I'll write a book of these simple folk ere I to the world return,
'And the cold who read shall be kind for these - and the wise who read shall learn.

'Never again in a song of mine shall a jarring note be heard:
'Never again shall a page or line be marred by a bitter word;
'But love and laughter and kindly hours will the book I'll write recall,
'With chastening tears for the loss of one, and sighs for their sorrows all.
'Old eyes will light with a kindly smile, and the young eyes dance with glee--
'And the heart of the cynic will rest awhile for my simple folk and me.'

The lines ran on as he dipped his pen - ran true to his heart and ear-
Like the brighter pages of memory when every line is clear.
The pictures came and the pictures passed, like days of love and light-
He saw his chapters from first to last, and he thought it grand to write.
And the writer kissed his girlish wife, and he kissed her twice for pride:
''Tis a book of love, though a book of life! and a book you'll read!' he cried.

He was blind at first to each senseless slight (for shabby and poor he came)
From local 'Fashion' and mortgaged pride that scarce could sign its name.
What dreamer would dream of such paltry pride in a scene so fresh and fair?
But the local spirit intensified--with its pitiful shams - was there;
There were cliques wherever two houses stood (no rest for a family ghost!)
They hated each other as women could - but they hated the stranger most.

The writer wrote by day and night and he cried in the face of Fate--
'I'll cleave to my dream of life in spite of the cynical ghosts that wait.
''Tis the shyness born of their simple lives,' he said to the paltry pride--
(The homely tongues of the simple wives ne'er erred on the generous side)--
'They'll prove me true and they'll prove me kind ere the year of grace be passed,'
But the ignorant whisper of 'axe to grind!' went home to his heart at last.

The writer sat by his drift-wood fire three nights of the South-east gale,
His pen lay idle on pages vain, for his book was a fairy tale.
The world-wise lines of an elder age were plain on his aching brow,
As he sadly thought of each brighter page that would never be written now.
'I'll write no more!' But he bowed his head, for his heart was in Dreamland yet--
'The pages written I'll burn,' he said, 'and the pages thought forget.'

But he heard the hymn of the Open Sea, and the old fierce anger burned,
And he wrenched his heart from its dreamland free as the fire of his youth returned:-
'The weak man's madness, the strong man's scorn--the rebellious hate of youth
'From a deeper love of the world are born! And the cynical ghost is Truth!'
And the writer rose with a strength anew wherein Doubt could have no part;
'I'll write my book and it shall be true--the truth of a writer's heart.

'Ay! cover the wrong with a fairy tale - who never knew want or care-
'A bright green scum on a stagnant pool that will reek the longer there.
'You may starve the writer and buy the pen--you may drive it with want and fear--
'But the lines run false in the hearts of men - and false to the writer's ear.
'The bard's a rebel and strife his part, and he'll burst from his bonds anew,
'Till all pens write from a single heart! And so may the dream come true.

. . . . .

''Tis ever the same in the paths of men where money and dress are all,
'The crawler will bully whene'er he can, and the bully who can't will crawl.
'And this is the creed in the local hole, where the souls of the selfish rule;
'Borrow and cheat while the stranger's green, then sneer at the simple fool.
'Spit your spite at the men whom Fate has placed in the head-race first,
'And hate till death, with a senseless hate, the man you have injured worst!

'There are generous hearts in the grinding street, but the Hearts of the World go west;
'For the men who toil in the dust and heat of the barren lands are best!
'The stranger's hand to the stranger, yet--for a roving folk are mine -
'The stranger's store for the stranger set--and the camp-fire glow the sign!
'The generous hearts of the world, we find, thrive best on the barren sod,
'And the selfish thrive where Nature's kind (they'd bully or crawl to God!)

'I was born to write of the things that are! and the strength was given to me.
'I was born to strike at the things that mar the world as the world should be!
'By the dumb heart-hunger and dreams of youth, by the hungry tracks I've trod -
'I'll fight as a man for the sake of truth, nor pose as a martyred god.
'By the heart of "Bill" and the heart of "Jim," and the men that their hearts deem "white,"
'By the handgrips fierce, and the hard eyes dim with forbidden tears! - I'll write!

'I'll write untroubled by cultured fools, or the dense that fume and fret--
'For against the wisdom of all their schools I would stake mine instinct yet!
'For the cynical strain in the writer's song is the world, not he, to blame,
'And I'll write as I think, in the knowledge strong that thousands think the same;
'And the men who fight in the Dry Country grim battles by day, by night,
'Will believe in me, and will stand by me, and will say to the world, "He's right!"'

BILL AND JIM FALL OUT

Henry Lawson

BILL and Jim are mates no longer--they would scorn the name of mate--
Those two bushmen hate each other with a soul-consuming hate;
Yet erstwhile they were as brothers should be (tho' they never will):
Ne'er were mates to one another half so true as Jim and Bill.

Bill was one of those who have to argue every day or die--
Though, of course, he swore 'twas Jim who always itched to argufy.
They would, on most abstract subjects, contradict each other flat
And at times in lurid language--they were mates in spite of that.

Bill believed the Bible story re the origin of him--
He was sober, he was steady, he was orthodox; while Jim,
Who, we grieve to state, was always getting into drunken scrapes,
Held that man degenerated from degenerated apes.

Bill was British to the backbone, he was loyal through and through;
Jim declared that Blucher's Prussians won the fight at Waterloo,
And he hoped the coloured races would in time wipe out the white--
And it rather strained their mateship, but it didn't burst it quite.

They battled round in Maoriland--they saw it through and through--
And argued on the rata, what it was and how it grew;
Bill believed the vine grew downward, Jim declared that it grow up--
Yet they always shared their fortunes to the final bite and sup.

Night after night they argued how the kangaroo was born,
And each one held the other's stupid theories in scorn,
Bill believed it was 'born inside,' Jim declared it was born out--
Each as to his own opinions never had the slightest doubt.

They left the earth to argue and they went among the stars,
Re conditions atmospheric, Bill believed 'the hair of Mars
'Was too thin for human bein's to exist in mortal states.'
Jim declared it was too thick, if anythin--yet they were mates

Bill for Freetrade--Jim, Protection--argued as to which was best
For the welfare of the workers--and their mateship stood the test!
They argued over what they meant and didn't mean at all,
And what they said and didn't--and were mates in spite of all.

Till one night the two together tried to light a fire in camp,
When they had a leaky billy and the wood was scarce and damp.
And...No matter: let the moral be distinctly understood:
One alone should tend the fire, while the other brings the wood.

THE WAY OF THE WORLD

Henry Lawson

WHEN fairer faces turn from me,
And gayer friends grow cold,
And I have lost through poverty
The friendship bought with gold;
When I have served the selfish turn
Of some all-worldly few,
And Folly's lamps have ceased to burn,
Then I'll come back to you.

When my admirers find I'm not
The rising star they thought,
And praise or blame is all forgot
My early promise brought;
When brighter rivals lead a host
Where once I led a few,
And kinder times reward their boast,
Then I'll come back to you.

You loved me, not for what I had
Or what I might have been,
You saw the good, but not the bad,
Was kind, for that between.
I know that you'll forgive again--
That you will judge me true;
I'll be too tired to explain
When I come back to you.

A MAY NIGHT ON THE MOUNTAINS

Henry Lawson

'TIS a wonderful time when these hours begin,
These long 'small hours' of night,
When grass is crisp, and the air is thin,
And the stars come close and bright.
The moon hangs caught in a silvery veil,
From clouds of a steely grey,
And the hard, cold blue of the sky grows pale
In the wonderful Milky Way.

There is something wrong with this star of ours,
A mortal plank unsound,
That cannot be charged to the mighty powers
Who guide the stars around.
Though man is higher than bird or beast,
Though wisdom is still his boast,
He surely resembles Nature least,
And the things that vex her most.

Oh, say, some muse of a larger star,
Some muse of the Universe,
If they who people those planets far
Are better than we, or worse?
Are they exempted from deaths and births,
And have they greater powers,
And greater heavens, and greater earths,
And greater Gods than ours?

Are our lies theirs, and our truth their truth,
Are they cursed for pleasure's sake,
Do they make their hells in their reckless youth
Ere they know what hells they make?
And do they toil through each weary hour
Till the tedious day is o'er,
For food that gives but the fleeting power
To toil and strive for more?

In the Droving Days

A.B 'Banjo' Paterson


`Only a pound,' said the auctioneer,
`Only a pound; and I'm standing here
Selling this animal, gain or loss.
Only a pound for the drover's horse;
One of the sort that was never afraid,
One of the boys of the Old Brigade;
Thoroughly honest and game, I'll swear,
Only a little the worse for wear;
Plenty as bad to be seen in town,
Give me a bid and I'll knock him down;
Sold as he stands, and without recourse,
Give me a bid for the drover's horse.'

Loitering there in an aimless way
Somehow I noticed the poor old grey,
Weary and battered and screwed, of course,
Yet when I noticed the old grey horse,
The rough bush saddle, and single rein
Of the bridle laid on his tangled mane,
Straightway the crowd and the auctioneer
Seemed on a sudden to disappear,
Melted away in a kind of haze,
For my heart went back to the droving days.

Back to the road, and I crossed again
Over the miles of the saltbush plain --
The shining plain that is said to be
The dried-up bed of an inland sea,
Where the air so dry and so clear and bright
Refracts the sun with a wondrous light,
And out in the dim horizon makes
The deep blue gleam of the phantom lakes.

At dawn of day we would feel the breeze
That stirred the boughs of the sleeping trees,
And brought a breath of the fragrance rare
That comes and goes in that scented air;
For the trees and grass and the shrubs contain
A dry sweet scent on the saltbush plain.
For those that love it and understand,
The saltbush plain is a wonderland.
A wondrous country, where Nature's ways
Were revealed to me in the droving days.

We saw the fleet wild horses pass,
And the kangaroos through the Mitchell grass,
The emu ran with her frightened brood
All unmolested and unpursued.
But there rose a shout and a wild hubbub
When the dingo raced for his native scrub,
And he paid right dear for his stolen meals
With the drover's dogs at his wretched heels.
For we ran him down at a rattling pace,
While the packhorse joined in the stirring chase.
And a wild halloo at the kill we'd raise --
We were light of heart in the droving days.

'Twas a drover's horse, and my hand again
Made a move to close on a fancied rein.
For I felt the swing and the easy stride
Of the grand old horse that I used to ride
In drought or plenty, in good or ill,
That same old steed was my comrade still;
The old grey horse with his honest ways
Was a mate to me in the droving days.

When we kept our watch in the cold and damp,
If the cattle broke from the sleeping camp,
Over the flats and across the plain,
With my head bent down on his waving mane,
Through the boughs above and the stumps below
On the darkest night I could let him go
At a racing speed; he would choose his course,
And my life was safe with the old grey horse.
But man and horse had a favourite job,
When an outlaw broke from a station mob,
With a right good will was the stockwhip plied,
As the old horse raced at the straggler's side,
And the greenhide whip such a weal would raise,
We could use the whip in the droving days.

. . . . .

`Only a pound!' and was this the end --
Only a pound for the drover's friend.
The drover's friend that had seen his day,
And now was worthless, and cast away
With a broken knee and a broken heart
To be flogged and starved in a hawker's cart.
Well, I made a bid for a sense of shame
And the memories dear of the good old game.

`Thank you? Guinea! and cheap at that!
Against you there in the curly hat!
Only a guinea, and one more chance,
Down he goes if there's no advance,
Third, and the last time, one! two! three!'
And the old grey horse was knocked down to me.
And now he's wandering, fat and sleek,
On the lucerne flats by the Homestead Creek;
I dare not ride him for fear he'd fall,
But he does a journey to beat them all,
For though he scarcely a trot can raise,
He can take me back to the droving days.

In Defence of the Bush

A.B 'Banjo' Paterson



So you're back from up the country, Mister Townsman, where you went,
And you're cursing all the business in a bitter discontent;
Well, we grieve to disappoint you, and it makes us sad to hear
That it wasn't cool and shady -- and there wasn't plenty beer,
And the loony bullock snorted when you first came into view;
Well, you know it's not so often that he sees a swell like you;
And the roads were hot and dusty, and the plains were burnt and brown,
And no doubt you're better suited drinking lemon-squash in town.
Yet, perchance, if you should journey down the very track you went
In a month or two at furthest you would wonder what it meant,
Where the sunbaked earth was gasping like a creature in its pain
You would find the grasses waving like a field of summer grain,
And the miles of thirsty gutters blocked with sand and choked with mud,
You would find them mighty rivers with a turbid, sweeping flood;
For the rain and drought and sunshine make no changes in the street,
In the sullen line of buildings and the ceaseless tramp of feet;
But the bush hath moods and changes, as the seasons rise and fall,
And the men who know the bush-land -- they are loyal through it all.

. . . . .

But you found the bush was dismal and a land of no delight,
Did you chance to hear a chorus in the shearers' huts at night?
Did they `rise up, William Riley' by the camp-fire's cheery blaze?
Did they rise him as we rose him in the good old droving days?
And the women of the homesteads and the men you chanced to meet --
Were their faces sour and saddened like the `faces in the street',
And the `shy selector children' -- were they better now or worse
Than the little city urchins who would greet you with a curse?
Is not such a life much better than the squalid street and square
Where the fallen women flaunt it in the fierce electric glare,
Where the sempstress plies her sewing till her eyes are sore and red
In a filthy, dirty attic toiling on for daily bread?
Did you hear no sweeter voices in the music of the bush
Than the roar of trams and 'buses, and the war-whoop of `the push'?
Did the magpies rouse your slumbers with their carol sweet and strange?
Did you hear the silver chiming of the bell-birds on the range?
But, perchance, the wild birds' music by your senses was despised,
For you say you'll stay in townships till the bush is civilised.
Would you make it a tea-garden and on Sundays have a band
Where the `blokes' might take their `donahs',
with a `public' close at hand?
You had better stick to Sydney and make merry with the `push',
For the bush will never suit you, and you'll never suit the bush.

The Travelling Post Office

A.B 'Banjo' Paterson



The roving breezes come and go, the reed beds sweep and sway,
The sleepy river murmurs low, and loiters on its way,
It is the land of lots o' time along the Castlereagh.

. . . . .

The old man's son had left the farm, he found it dull and slow,
He drifted to the great North-west where all the rovers go.
`He's gone so long,' the old man said, `he's dropped right out of mind,
But if you'd write a line to him I'd take it very kind;
He's shearing here and fencing there, a kind of waif and stray,
He's droving now with Conroy's sheep along the Castlereagh.

`The sheep are travelling for the grass, and travelling very slow;
They may be at Mundooran now, or past the Overflow,
Or tramping down the black soil flats across by Waddiwong,
But all those little country towns would send the letter wrong,
The mailman, if he's extra tired, would pass them in his sleep,
It's safest to address the note to `Care of Conroy's sheep',
For five and twenty thousand head can scarcely go astray,
You write to `Care of Conroy's sheep along the Castlereagh'.'

. . . . .

By rock and ridge and riverside the western mail has gone,
Across the great Blue Mountain Range to take that letter on.
A moment on the topmost grade while open fire doors glare,
She pauses like a living thing to breathe the mountain air,
Then launches down the other side across the plains away
To bear that note to `Conroy's sheep along the Castlereagh'.

And now by coach and mailman's bag it goes from town to town,
And Conroy's Gap and Conroy's Creek have marked it `further down'.
Beneath a sky of deepest blue where never cloud abides,
A speck upon the waste of plain the lonely mailman rides.
Where fierce hot winds have set the pine and myall boughs asweep
He hails the shearers passing by for news of Conroy's sheep.
By big lagoons where wildfowl play and crested pigeons flock,
By camp fires where the drovers ride around their restless stock,
And past the teamster toiling down to fetch the wool away
My letter chases Conroy's sheep along the Castlereagh.

How M'Ginnis Went Missing

A.B 'Banjo' Paterson


Let us cease our idle chatter,
Let the tears bedew our cheek,
For a man from Tallangatta
Has been missing for a week.

Where the roaring flooded Murray
Covered all the lower land,
There he started in a hurry,
With a bottle in his hand.

And his fate is hid for ever,
But the public seem to think
That he slumbered by the river,
'Neath the influence of drink.

And they scarcely seem to wonder
That the river, wide and deep,
Never woke him with its thunder,
Never stirred him in his sleep.

As the crashing logs came sweeping,
And their tumult filled the air,
Then M'Ginnis murmured, sleeping,
`'Tis a wake in ould Kildare.'

So the river rose and found him
Sleeping softly by the stream,
And the cruel waters drowned him
Ere he wakened from his dream.

And the blossom-tufted wattle,
Blooming brightly on the lea,
Saw M'Ginnis and the bottle
Going drifting out to sea

The Daylight is Dying

A.B 'Banjo' Paterson


The daylight is dying
Away in the west,
The wild birds are flying
In silence to rest;
In leafage and frondage
Where shadows are deep,
They pass to its bondage --
The kingdom of sleep.
And watched in their sleeping
By stars in the height,
They rest in your keeping,
Oh, wonderful night.

When night doth her glories
Of starshine unfold,
'Tis then that the stories
Of bush-land are told.
Unnumbered I hold them
In memories bright,
But who could unfold them,
Or read them aright?
Beyond all denials
The stars in their glories
The breeze in the myalls
Are part of these stories.
The waving of grasses,
The song of the river
That sings as it passes
For ever and ever,
The hobble-chains' rattle,
The calling of birds,
The lowing of cattle
Must blend with the words.
Without these, indeed, you
Would find it ere long,
As though I should read you
The words of a song
That lamely would linger
When lacking the rune,
The voice of the singer,
The lilt of the tune.

But, as one half-hearing
An old-time refrain,
With memory clearing,
Recalls it again,
These tales, roughly wrought of
The bush and its ways,
May call back a thought of
The wandering days,
And, blending with each
In the mem'ries that throng,
There haply shall reach
You some echo of song.

Conroy's Gap

A.B 'Banjo' Paterson


This was the way of it, don't you know --
Ryan was `wanted' for stealing sheep,
And never a trooper, high or low,
Could find him -- catch a weasel asleep!
Till Trooper Scott, from the Stockman's Ford --
A bushman, too, as I've heard them tell --
Chanced to find him drunk as a lord
Round at the Shadow of Death Hotel.

D'you know the place? It's a wayside inn,
A low grog-shanty -- a bushman trap,
Hiding away in its shame and sin
Under the shelter of Conroy's Gap --
Under the shade of that frowning range,
The roughest crowd that ever drew breath --
Thieves and rowdies, uncouth and strange,
Were mustered round at the Shadow of Death.

The trooper knew that his man would slide
Like a dingo pup, if he saw the chance;
And with half a start on the mountain side
Ryan would lead him a merry dance.
Drunk as he was when the trooper came,
To him that did not matter a rap --
Drunk or sober, he was the same,
The boldest rider in Conroy's Gap.

`I want you, Ryan,' the trooper said,
`And listen to me, if you dare resist,
So help me heaven, I'll shoot you dead!'
He snapped the steel on his prisoner's wrist,
And Ryan, hearing the handcuffs click,
Recovered his wits as they turned to go,
For fright will sober a man as quick
As all the drugs that the doctors know.

There was a girl in that rough bar
Went by the name of Kate Carew,
Quiet and shy as the bush girls are,
But ready-witted and plucky, too.
She loved this Ryan, or so they say,
And passing by, while her eyes were dim
With tears, she said in a careless way,
`The Swagman's round in the stable, Jim.'

Spoken too low for the trooper's ear,
Why should she care if he heard or not?
Plenty of swagmen far and near,
And yet to Ryan it meant a lot.
That was the name of the grandest horse
In all the district from east to west
In every show ring, on every course
They always counted the Swagman best.

He was a wonder, a raking bay --
One of the grand old Snowdon strain --
One of the sort that could race and stay
With his mighty limbs and his length of rein.
Born and bred on the mountain side,
He could race through scrub like a kangaroo,
The girl herself on his back might ride,
And the Swagman would carry her safely through.

He would travel gaily from daylight's flush
Till after the stars hung out their lamps,
There was never his like in the open bush,
And never his match on the cattle-camps.
For faster horses might well be found
On racing tracks, or a plain's extent,
But few, if any, on broken ground
Could see the way that the Swagman went.

When this girl's father, old Jim Carew,
Was droving out on the Castlereagh
With Conroy's cattle, a wire came through
To say that his wife couldn't live the day.
And he was a hundred miles from home,
As flies the crow, with never a track,
Through plains as pathless as ocean's foam,
He mounted straight on the Swagman's back.

He left the camp by the sundown light,
And the settlers out on the Marthaguy
Awoke and heard, in the dead of night,
A single horseman hurrying by.
He crossed the Bogan at Dandaloo,
And many a mile of the silent plain
That lonely rider behind him threw
Before they settled to sleep again.

He rode all night and he steered his course
By the shining stars with a bushman's skill,
And every time that he pressed his horse
The Swagman answered him gamely still.
He neared his home as the east was bright,
The doctor met him outside the town:
`Carew! How far did you come last night?'
`A hundred miles since the sun went down.'

And his wife got round, and an oath he passed,
So long as he or one of his breed
Could raise a coin, though it took their last
The Swagman never should want a feed.
And Kate Carew, when her father died,
She kept the horse and she kept him well:
The pride of the district far and wide,
He lived in style at the bush hotel.

Such was the Swagman; and Ryan knew
Nothing about could pace the crack;
Little he'd care for the man in blue
If once he got on the Swagman's back.
But how to do it? A word let fall
Gave him the hint as the girl passed by;
Nothing but `Swagman -- stable-wall;
`Go to the stable and mind your eye.'

He caught her meaning, and quickly turned
To the trooper: `Reckon you'll gain a stripe
By arresting me, and it's easily earned;
Let's go to the stable and get my pipe,
The Swagman has it.' So off they went,
And soon as ever they turned their backs
The girl slipped down, on some errand bent
Behind the stable, and seized an axe.

The trooper stood at the stable door
While Ryan went in quite cool and slow,
And then (the trick had been played before)
The girl outside gave the wall a blow.
Three slabs fell out of the stable wall --
'Twas done 'fore ever the trooper knew --
And Ryan, as soon as he saw them fall,
Mounted the Swagman and rushed him through.

The trooper heard the hoof-beats ring
In the stable yard, and he slammed the gate,
But the Swagman rose with a mighty spring
At the fence, and the trooper fired too late,
As they raced away and his shots flew wide
And Ryan no longer need care a rap,
For never a horse that was lapped in hide
Could catch the Swagman in Conroy's Gap.

And that's the story. You want to know
If Ryan came back to his Kate Carew;
Of course he should have, as stories go,
But the worst of it is, this story's true:
And in real life it's a certain rule,
Whatever poets and authors say
Of high-toned robbers and all their school,
These horsethief fellows aren't built that way.

Come back! Don't hope it -- the slinking hound,
He sloped across to the Queensland side,
And sold the Swagman for fifty pound,
And stole the money, and more beside.
And took to drink, and by some good chance
Was killed -- thrown out of a stolen trap.
And that was the end of this small romance,
The end of the story of Conroy's Gap.

The Flying Gang

A.B 'Banjo' Paterson



I served my time, in the days gone by,
In the railway's clash and clang,
And I worked my way to the end, and I
Was the head of the `Flying Gang'.
`Twas a chosen band that was kept at hand
In case of an urgent need,
Was it south or north we were started forth,
And away at our utmost speed.
If word reached town that a bridge was down,
The imperious summons rang --
`Come out with the pilot engine sharp,
And away with the flying gang.'

Then a piercing scream and a rush of steam
As the engine moved ahead,
With a measured beat by the slum and street
Of the busy town we fled,
By the uplands bright and the homesteads white,
With the rush of the western gale,
And the pilot swayed with the pace we made
As she rocked on the ringing rail.
And the country children clapped their hands
As the engine's echoes rang,
But their elders said: `There is work ahead
When they send for the flying gang.'

Then across the miles of the saltbush plain
That gleamed with the morning dew,
Where the grasses waved like the ripening grain
The pilot engine flew,
A fiery rush in the open bush
Where the grade marks seemed to fly,
And the order sped on the wires ahead,
The pilot MUST go by.
The Governor's special must stand aside,
And the fast express go hang,
Let your orders be that the line is free
For the boys of the flying

Shearing at Castlereagh

A.B 'Banjo' Paterson



The bell is set a-ringing, and the engine gives a toot,
There's five and thirty shearers here are shearing for the loot,
So stir yourselves, you penners-up, and shove the sheep along,
The musterers are fetching them a hundred thousand strong,
And make your collie dogs speak up -- what would the buyers say
In London if the wool was late this year from Castlereagh?

The man that `rung' the Tubbo shed is not the ringer here,
That stripling from the Cooma side can teach him how to shear.
They trim away the ragged locks, and rip the cutter goes,
And leaves a track of snowy fleece from brisket to the nose;
It's lovely how they peel it off with never stop nor stay,
They're racing for the ringer's place this year at Castlereagh.

The man that keeps the cutters sharp is growling in his cage,
He's always in a hurry and he's always in a rage --
`You clumsy-fisted mutton-heads, you'd turn a fellow sick,
You pass yourselves as shearers, you were born to swing a pick.
Another broken cutter here, that's two you've broke to-day,
It's awful how such crawlers come to shear at Castlereagh.'

The youngsters picking up the fleece enjoy the merry din,
They throw the classer up the fleece, he throws it to the bin;
The pressers standing by the rack are waiting for the wool,
There's room for just a couple more, the press is nearly full;
Now jump upon the lever, lads, and heave and heave away,
Another bale of golden fleece is branded `Castlereagh'.

Been There Before

A.B 'Banjo' Paterson



There came a stranger to Walgett town,
To Walgett town when the sun was low,
And he carried a thirst that was worth a crown,
Yet how to quench it he did not know;
But he thought he might take those yokels down,
The guileless yokels of Walgett town.

They made him a bet in a private bar,
In a private bar when the talk was high,
And they bet him some pounds no matter how far
He could pelt a stone, yet he could not shy
A stone right over the river so brown,
The Darling river at Walgett town.

He knew that the river from bank to bank
Was fifty yards, and he smiled a smile
As he trundled down, but his hopes they sank
For there wasn't a stone within fifty mile;
For the saltbush plain and the open down
Produce no quarries in Walgett town.

The yokels laughed at his hopes o'erthrown,
And he stood awhile like a man in a dream;
Then out of his pocket he fetched a stone,
And pelted it over the silent stream --
He had been there before: he had wandered down
On a previous visit to Walgett town.

Over the Range

A.B 'Banjo' Paterson



Little bush maiden, wondering-eyed,
Playing alone in the creek-bed dry,
In the small green flat on every side
Walled in by the Moonbi ranges high;
Tell us the tale of your lonely life,
'Mid the great grey forests that know no change.
`I never have left my home,' she said,
`I have never been over the Moonbi Range.

`Father and mother are both long dead,
And I live with granny in yon wee place.'
`Where are your father and mother?' we said.
She puzzled awhile with thoughtful face,
Then a light came into the shy brown eye,
And she smiled, for she thought the question strange
On a thing so certain -- `When people die
They go to the country over the range.'

`And what is this country like, my lass?'
`There are blossoming trees and pretty flowers,
And shining creeks where the golden grass
Is fresh and sweet from the summer showers.
They never need work, nor want, nor weep;
No troubles can come their hearts to estrange.
Some summer night I shall fall asleep,
And wake in the country over the range.'

Child, you are wise in your simple trust,
For the wisest man knows no more than you
Ashes to ashes, and dust to dust:
Our views by a range are bounded too;
But we know that God hath this gift in store,
That when we come to the final change,
We shall meet with our loved ones gone before
To the beautiful country over the range.

Lost

A.B 'Banjo' Paterson



`He ought to be home,' said the old man, `without there's something amiss.
He only went to the Two-mile -- he ought to be back by this.
He WOULD ride the Reckless filly, he WOULD have his wilful way;
And, here, he's not back at sundown -- and what will his mother say?

`He was always his mother's idol, since ever his father died;
And there isn't a horse on the station that he isn't game to ride.
But that Reckless mare is vicious, and if once she gets away
He hasn't got strength to hold her -- and what will his mother say?'

The old man walked to the sliprail, and peered up the dark'ning track,
And looked and longed for the rider that would never more come back;
And the mother came and clutched him, with sudden, spasmodic fright:
`What has become of my Willie? -- why isn't he home to-night?'

Away in the gloomy ranges, at the foot of an ironbark,
The bonnie, winsome laddie was lying stiff and stark;
For the Reckless mare had smashed him against a leaning limb,
And his comely face was battered, and his merry eyes were dim.

And the thoroughbred chestnut filly, the saddle beneath her flanks,
Was away like fire through the ranges to join the wild mob's ranks;
And a broken-hearted woman and an old man worn and grey
Were searching all night in the ranges till the sunrise brought the day.

And the mother kept feebly calling, with a hope that would not die,
`Willie! where are you, Willie?' But how can the dead reply;
And hope died out with the daylight, and the darkness brought despair,
God pity the stricken mother, and answer the widow's prayer!

Though far and wide they sought him, they found not where he fell;
For the ranges held him precious, and guarded their treasure well.
The wattle blooms above him, and the blue bells blow close by,
And the brown bees buzz the secret, and the wild birds sing reply.

But the mother pined and faded, and cried, and took no rest,
And rode each day to the ranges on her hopeless, weary quest.
Seeking her loved one ever, she faded and pined away,
But with strength of her great affection she still sought every day.

`I know that sooner or later I shall find my boy,' she said.
But she came not home one evening, and they found her lying dead,
And stamped on the poor pale features, as the spirit homeward pass'd,
Was an angel smile of gladness -- she had found the boy at last.

A Mountain Station

A.B 'Banjo' Paterson



I bought a run a while ago,
On country rough and ridgy,
Where wallaroos and wombats grow --
The Upper Murrumbidgee.
The grass is rather scant, it's true,
But this a fair exchange is,
The sheep can see a lovely view
By climbing up the ranges.

And She-oak Flat's the station's name,
I'm not surprised at that, sirs:
The oaks were there before I came,
And I supplied the flat, sirs.
A man would wonder how it's done,
The stock so soon decreases --
They sometimes tumble off the run
And break themselves to pieces.

I've tried to make expenses meet,
But wasted all my labours,
The sheep the dingoes didn't eat
Were stolen by the neighbours.
They stole my pears -- my native pears --
Those thrice-convicted felons,
And ravished from me unawares
My crop of paddy-melons.

And sometimes under sunny skies,
Without an explanation,
The Murrumbidgee used to rise
And overflow the station.
But this was caused (as now I know)
When summer sunshine glowing
Had melted all Kiandra's snow
And set the river going.

And in the news, perhaps you read:
`Stock passings. Puckawidgee,
Fat cattle: Seven hundred head
Swept down the Murrumbidgee;
Their destination's quite obscure,
But, somehow, there's a notion,
Unless the river falls, they're sure
To reach the Southern Ocean.'

So after that I'll give it best;
No more with Fate I'll battle.
I'll let the river take the rest,
For those were all my cattle.
And with one comprehensive curse
I close my brief narration,
And advertise it in my verse --
`For Sale! A Mountain Station.'

Johnson's Antidote

A.B 'Banjo' Paterson



Down along the Snakebite River, where the overlanders camp,
Where the serpents are in millions, all of the most deadly stamp;
Where the station-cook in terror, nearly every time he bakes,
Mixes up among the doughboys half-a-dozen poison-snakes:
Where the wily free-selector walks in armour-plated pants,
And defies the stings of scorpions, and the bites of bull-dog ants:
Where the adder and the viper tear each other by the throat,
There it was that William Johnson sought his snake-bite antidote.

Johnson was a free-selector, and his brain went rather queer,
For the constant sight of serpents filled him with a deadly fear;
So he tramped his free-selection, morning, afternoon, and night,
Seeking for some great specific that would cure the serpent's bite.
Till King Billy, of the Mooki, chieftain of the flour-bag head,
Told him, `Spos'n snake bite pfeller, pfeller mostly drop down dead;
Spos'n snake bite old goanna, then you watch a while you see,
Old goanna cure himself with eating little pfeller tree.'
`That's the cure,' said William Johnson, `point me out this plant sublime,'
But King Billy, feeling lazy, said he'd go another time.
Thus it came to pass that Johnson, having got the tale by rote,
Followed every stray goanna, seeking for the antidote.

. . . . .

Loafing once beside the river, while he thought his heart would break,
There he saw a big goanna fighting with a tiger-snake,
In and out they rolled and wriggled, bit each other, heart and soul,
Till the valiant old goanna swallowed his opponent whole.
Breathless, Johnson sat and watched him, saw him struggle up the bank,
Saw him nibbling at the branches of some bushes, green and rank;
Saw him, happy and contented, lick his lips, as off he crept,
While the bulging in his stomach showed where his opponent slept.
Then a cheer of exultation burst aloud from Johnson's throat;
`Luck at last,' said he, `I've struck it! 'tis the famous antidote.'

`Here it is, the Grand Elixir, greatest blessing ever known,
Twenty thousand men in India die each year of snakes alone.
Think of all the foreign nations, negro, chow, and blackamoor,
Saved from sudden expiration, by my wondrous snakebite cure.
It will bring me fame and fortune! In the happy days to be,
Men of every clime and nation will be round to gaze on me --
Scientific men in thousands, men of mark and men of note,
Rushing down the Mooki River, after Johnson's antidote.
It will cure Delirium Tremens, when the patient's eyeballs stare
At imaginary spiders, snakes which really are not there.
When he thinks he sees them wriggle, when he thinks he sees them bloat,
It will cure him just to think of Johnson's Snakebite Antidote.'

Then he rushed to the museum, found a scientific man --
`Trot me out a deadly serpent, just the deadliest you can;
I intend to let him bite me, all the risk I will endure,
Just to prove the sterling value of my wondrous snakebite cure.
Even though an adder bit me, back to life again I'd float;
Snakes are out of date, I tell you, since I've found the antidote.'

Said the scientific person, `If you really want to die,
Go ahead -- but, if you're doubtful, let your sheep-dog have a try.
Get a pair of dogs and try it, let the snake give both a nip;
Give your dog the snakebite mixture, let the other fellow rip;
If he dies and yours survives him, then it proves the thing is good.
Will you fetch your dog and try it?' Johnson rather thought he would.
So he went and fetched his canine, hauled him forward by the throat.
`Stump, old man,' says he, `we'll show them we've the genwine antidote.'

Both the dogs were duly loaded with the poison-gland's contents;
Johnson gave his dog the mixture, then sat down to wait events.
`Mark,' he said, `in twenty minutes Stump'll be a-rushing round,
While the other wretched creature lies a corpse upon the ground.'
But, alas for William Johnson! ere they'd watched a half-hour's spell
Stumpy was as dead as mutton, t'other dog was live and well.
And the scientific person hurried off with utmost speed,
Tested Johnson's drug and found it was a deadly poison-weed;
Half a tumbler killed an emu, half a spoonful killed a goat,
All the snakes on earth were harmless to that awful antidote.

. . . . .

Down along the Mooki River, on the overlanders' camp,
Where the serpents are in millions, all of the most deadly stamp,
Wanders, daily, William Johnson, down among those poisonous hordes,
Shooting every stray goanna, calls them `black and yaller frauds'.
And King Billy, of the Mooki, cadging for the cast-off coat,
Somehow seems to dodge the subject of the snake-bite antidote.

A Bushman's Song

A.B 'Banjo' Paterson


I'm travellin' down the Castlereagh, and I'm a station hand,
I'm handy with the ropin' pole, I'm handy with the brand,
And I can ride a rowdy colt, or swing the axe all day,
But there's no demand for a station-hand along the Castlereagh.

So it's shift, boys, shift, for there isn't the slightest doubt
That we've got to make a shift to the stations further out,
With the pack-horse runnin' after, for he follows like a dog,
We must strike across the country at the old jig-jog.

This old black horse I'm riding -- if you'll notice what's his brand,
He wears the crooked R, you see -- none better in the land.
He takes a lot of beatin', and the other day we tried,
For a bit of a joke, with a racing bloke, for twenty pounds a side.

It was shift, boys, shift, for there wasn't the slightest doubt
That I had to make him shift, for the money was nearly out;
But he cantered home a winner, with the other one at the flog --
He's a red-hot sort to pick up with his old jig-jog.

I asked a cove for shearin' once along the Marthaguy:
`We shear non-union here,' says he. `I call it scab,' says I.
I looked along the shearin' floor before I turned to go --
There were eight or ten dashed Chinamen a-shearin' in a row.

It was shift, boys, shift, for there wasn't the slightest doubt
It was time to make a shift with the leprosy about.
So I saddled up my horses, and I whistled to my dog,
And I left his scabby station at the old jig-jog.

I went to Illawarra, where my brother's got a farm,
He has to ask his landlord's leave before he lifts his arm;
The landlord owns the country side -- man, woman, dog, and cat,
They haven't the cheek to dare to speak without they touch their hat.

It was shift, boys, shift, for there wasn't the slightest doubt
Their little landlord god and I would soon have fallen out;
Was I to touch my hat to him? -- was I his bloomin' dog?
So I makes for up the country at the old jig-jog.

But it's time that I was movin', I've a mighty way to go
Till I drink artesian water from a thousand feet below;
Till I meet the overlanders with the cattle comin' down,
And I'll work a while till I make a pile, then have a spree in town.

So, it's shift, boys, shift, for there isn't the slightest doubt
We've got to make a shift to the stations further out;
The pack-horse runs behind us, for he follows like a dog,
And we cross a lot of country at the old jig-jog.

Over the Range

A.B 'Banjo' Paterson



Little bush maiden, wondering-eyed,
Playing alone in the creek-bed dry,
In the small green flat on every side
Walled in by the Moonbi ranges high;
Tell us the tale of your lonely life,
'Mid the great grey forests that know no change.
`I never have left my home,' she said,
`I have never been over the Moonbi Range.

`Father and mother are both long dead,
And I live with granny in yon wee place.'
`Where are your father and mother?' we said.
She puzzled awhile with thoughtful face,
Then a light came into the shy brown eye,
And she smiled, for she thought the question strange
On a thing so certain -- `When people die
They go to the country over the range.'

`And what is this country like, my lass?'
`There are blossoming trees and pretty flowers,
And shining creeks where the golden grass
Is fresh and sweet from the summer showers.
They never need work, nor want, nor weep;
No troubles can come their hearts to estrange.
Some summer night I shall fall asleep,
And wake in the country over the range.'

Child, you are wise in your simple trust,
For the wisest man knows no more than you
Ashes to ashes, and dust to dust:
Our views by a range are bounded too;
But we know that God hath this gift in store,
That when we come to the final change,
We shall meet with our loved ones gone before
To the beautiful country over the range

Ambition and Art

A.B 'Banjo' Paterson



Ambition


I am the maid of the lustrous eyes
Of great fruition,
Whom the sons of men that are over-wise
Have called Ambition.

And the world's success is the only goal
I have within me;
The meanest man with the smallest soul
May woo and win me.

For the lust of power and the pride of place
To all I proffer.
Wilt thou take thy part in the crowded race
For what I offer?

The choice is thine, and the world is wide --
Thy path is lonely.
I may not lead and I may not guide --
I urge thee only.

I am just a whip and a spur that smites
To fierce endeavour.
In the restless days and the sleepless nights
I urge thee ever.

Thou shalt wake from sleep with a startled cry,
In fright upleaping
At a rival's step as it passes by
Whilst thou art sleeping.

Honour and truth shall be overthrown
In fierce desire;
Thou shalt use thy friend as a stepping-stone
To mount thee higher.

When the curtain falls on the sordid strife
That seemed so splendid,
Thou shalt look with pain on the wasted life
That thou hast ended.

Thou hast sold thy life for a guerdon small
In fitful flashes;
There has been reward -- but the end of all
Is dust and ashes.

For the night has come and it brings to naught
Thy projects cherished,
And thine epitaph shall in brass be wrought --
`He lived and perished.'


Art

I wait for thee at the outer gate,
My love, mine only;
Wherefore tarriest thou so late
While I am lonely.

Thou shalt seek my side with a footstep swift,
In thee implanted
Is the love of Art and the greatest gift
That God has granted.

And the world's concerns with its rights and wrongs
Shall seem but small things --
Poet or painter, a singer of songs,
Thine art is all things.

For the wine of life is a woman's love
To keep beside thee;
But the love of Art is a thing above --
A star to guide thee.

As the years go by with thy love of Art
All undiminished,
Thou shalt end thy days with a quiet heart --
Thy work is finished.

So the painter fashions a picture strong
That fadeth never,
And the singer singeth a wond'rous song
That lives for ever.

The Romance of the Swag (ed. vers)

Henry Lawson is one of Australia’s most popular Poets and Storytellers. Writing at the turn of the last century, his body of work included short stories, poetry, essays, humorous observations and recollections, consistently brilliant and inspired. A colourful character, sent to the Outback initially to ‘dry-out’ by his city editor, which he never quite succeeded in doing, he chronicled with wit and understanding, insight and candour, honesty and a wry, knowing grin, the characters he encountered, the lives they lead, and the hardships they faced living in the harshness of the Australian bush.

The Romance of the Swag
(ed. vers)

THE Australian swag fashion is the easiest way in the world of carrying a load… The Australian swag was born of Australia and no other land - of the Great Lone Land of magnificent distances and bright heat; the land of self-reliance, and never-give-in, and help-your-mate. The grave of many of the world's tragedies and comedies-royal and otherwise. The land where a man out of employment might shoulder his swag in Adelaide and take the track, and years later walk into a hut on the Gulf…

The swag is usually composed of a tent "fly" or strip of calico (a cover for the swag and a shelter in bad weather…), a couple of blankets, blue by custom and preference, as that colour shows the dirt less than any other (hence the name "bluey" for swag), and the core is composed of spare clothing and small personal effects. To make or "roll up" your swag: lay the fly or strip of calico on the ground, blueys on top of it; across one end, with eighteen inches or so to spare, lay your spare trousers and shirt, folded, light boots tied together by the laces toe to heel, books, bundle of old letters, portraits, or whatever little knick-knacks you have or care to carry, bag of needles, thread, pen and ink, spare patches for your pants, and bootlaces. Lay or arrange the pile so that it will roll evenly with the swag (some pack the lot in an old pillowslip or canvas bag), take a fold over of blanket and calico the whole length on each side, so as to reduce the width of the swag to, say, three feet, throw the spare end, with an inward fold, over the little pile of belongings, and then roll the whole to the other end, using your knees and judgment to make the swag tight, compact and artistic; when within eighteen inches of the loose end take an inward fold in that, and bring it up against the body of the swag. There is a strong suggestion of a roley-poley in a rag about the business, only the ends of the swag are folded in, in rings, and not tied. Fasten the swag with three or four straps, according to judgment and the supply of straps. To the top strap, for the swag is carried (and eased down in shanty bars and against walls or veranda-posts when not on the track) in a more or less vertical position--to the top strap, and lowest, or lowest but one, fasten the ends of the shoulder strap (usually a towel is preferred as being softer to the shoulder), your coat being carried outside the swag at the back, under the straps.

To the top strap fasten the string of the nose-bag, a calico bag about the size of a pillowslip, containing the tea, sugar and flour bags, bread, meat, baking-powder and salt, and brought, when the swag is carried from the left shoulder, over the right on to the chest, and so balancing the swag behind. But a swagman can throw a heavy swag in a nearly vertical position against his spine, slung from one shoulder only and without any balance, and carry it as easily as you might wear your overcoat. Some bushmen arrange their belongings so neatly and conveniently, with swag straps in a sort of harness, that they can roll up the swag in about a minute, and unbuckle it and throw it out as easily as a roll of wall-paper, and there's the bed ready on the ground with the wardrobe for a pillow. The swag is always used for a seat on the track; it is a soft seat, so trousers last a long time. And, the dust being mostly soft and silky on the long tracks out back, boots last marvellously. Fifteen miles a day is the average with the swag, but you must travel according to the water: if the next bore or tank is five miles on, and the next twenty beyond, you camp at the five-mile water to-night and do the twenty next day. But if it's thirty miles you have to do it.

Travelling with the swag in Australia is variously and picturesquely described as "humping bluey," "walking Matilda," "humping Matilda," "humping your drum," "being on the wallaby," "jabbing trotters," and "tea and sugar burglaring," but most travelling shearers now call themselves trav'lers, and say simply "on the track," or "carrying swag."

And there you have the Australian swag…

The Wind's Message

A.B 'Banjo' Paterson


There came a whisper down the Bland between the dawn and dark,
Above the tossing of the pines, above the river's flow;
It stirred the boughs of giant gums and stalwart ironbark;
It drifted where the wild ducks played amid the swamps below;
It brought a breath of mountain air from off the hills of pine,
A scent of eucalyptus trees in honey-laden bloom;
And drifting, drifting far away along the southern line
It caught from leaf and grass and fern a subtle strange perfume.

It reached the toiling city folk, but few there were that heard --
The rattle of their busy life had choked the whisper down;
And some but caught a fresh-blown breeze with scent of pine that stirred
A thought of blue hills far away beyond the smoky town;
And others heard the whisper pass, but could not understand
The magic of the breeze's breath that set their hearts aglow,
Nor how the roving wind could bring across the Overland
A sound of voices silent now and songs of long ago.

But some that heard the whisper clear were filled with vague unrest;
The breeze had brought its message home, they could not fixed abide;
Their fancies wandered all the day towards the blue hills' breast,
Towards the sunny slopes that lie along the riverside,
The mighty rolling western plains are very fair to see,
Where waving to the passing breeze the silver myalls stand,
But fairer are the giant hills, all rugged though they be,
From which the two great rivers rise that run along the Bland.

Oh! rocky range and rugged spur and river running clear,
That swings around the sudden bends with swirl of snow-white foam,
Though we, your sons, are far away, we sometimes seem to hear
The message that the breezes bring to call the wanderers home.
The mountain peaks are white with snow that feeds a thousand rills,
Along the river banks the maize grows tall on virgin land,
And we shall live to see once more those sunny southern hills,
And strike once more the bridle track that leads along the Bland.

The Man from Ironbark

A.B 'Banjo' Paterson


It was the man from Ironbark who struck the Sydney town,
He wandered over street and park, he wandered up and down.
He loitered here, he loitered there, till he was like to drop,
Until at last in sheer despair he sought a barber's shop.
`'Ere! shave my beard and whiskers off, I'll be a man of mark,
I'll go and do the Sydney toff up home in Ironbark.'

The barber man was small and flash, as barbers mostly are,
He wore a strike-your-fancy sash, he smoked a huge cigar:
He was a humorist of note and keen at repartee,
He laid the odds and kept a `tote', whatever that may be,
And when he saw our friend arrive, he whispered `Here's a lark!
Just watch me catch him all alive, this man from Ironbark.'

There were some gilded youths that sat along the barber's wall,
Their eyes were dull, their heads were flat, they had no brains at all;
To them the barber passed the wink, his dexter eyelid shut,
`I'll make this bloomin' yokel think his bloomin' throat is cut.'
And as he soaped and rubbed it in he made a rude remark:
`I s'pose the flats is pretty green up there in Ironbark.'

A grunt was all reply he got; he shaved the bushman's chin,
Then made the water boiling hot and dipped the razor in.
He raised his hand, his brow grew black, he paused awhile to gloat,
Then slashed the red-hot razor-back across his victim's throat;
Upon the newly shaven skin it made a livid mark --
No doubt it fairly took him in -- the man from Ironbark.

He fetched a wild up-country yell might wake the dead to hear,
And though his throat, he knew full well, was cut from ear to ear,
He struggled gamely to his feet, and faced the murd'rous foe:
`You've done for me! you dog, I'm beat! one hit before I go!
I only wish I had a knife, you blessed murdering shark!
But you'll remember all your life, the man from Ironbark.'

He lifted up his hairy paw, with one tremendous clout
He landed on the barber's jaw, and knocked the barber out.
He set to work with tooth and nail, he made the place a wreck;
He grabbed the nearest gilded youth, and tried to break his neck.
And all the while his throat he held to save his vital spark,
And `Murder! Bloody Murder!' yelled the man from Ironbark.

A peeler man who heard the din came in to see the show;
He tried to run the bushman in, but he refused to go.
And when at last the barber spoke, and said, `'Twas all in fun --
'Twas just a little harmless joke, a trifle overdone.'
`A joke!' he cried, `By George, that's fine; a lively sort of lark;
I'd like to catch that murdering swine some night in Ironbark.'

And now while round the shearing floor the list'ning shearers gape,
He tells the story o'er and o'er, and brags of his escape.
`Them barber chaps what keeps a tote, By George, I've had enough,
One tried to cut my bloomin' throat, but thank the Lord it's tough.'
And whether he's believed or no, there's one thing to remark,
That flowing beards are all the go way up in Ironbark.

Clancy of the Overflow

A.B 'Banjo' Paterson


I had written him a letter which I had, for want of better
Knowledge, sent to where I met him down the Lachlan, years ago,
He was shearing when I knew him, so I sent the letter to him,
Just `on spec', addressed as follows, `Clancy, of The Overflow'.

And an answer came directed in a writing unexpected,
(And I think the same was written with a thumb-nail dipped in tar)
'Twas his shearing mate who wrote it, and verbatim I will quote it:
`Clancy's gone to Queensland droving, and we don't know where he are.'

. . . . .

In my wild erratic fancy visions come to me of Clancy
Gone a-droving `down the Cooper' where the Western drovers go;
As the stock are slowly stringing, Clancy rides behind them singing,
For the drover's life has pleasures that the townsfolk never know.

And the bush hath friends to meet him, and their kindly voices greet him
In the murmur of the breezes and the river on its bars,
And he sees the vision splendid of the sunlit plains extended,
And at night the wond'rous glory of the everlasting stars.

. . . . .

I am sitting in my dingy little office, where a stingy
Ray of sunlight struggles feebly down between the houses tall,
And the foetid air and gritty of the dusty, dirty city
Through the open window floating, spreads its foulness over all

And in place of lowing cattle, I can hear the fiendish rattle
Of the tramways and the 'buses making hurry down the street,
And the language uninviting of the gutter children fighting,
Comes fitfully and faintly through the ceaseless tramp of feet.

And the hurrying people daunt me, and their pallid faces haunt me
As they shoulder one another in their rush and nervous haste,
With their eager eyes and greedy, and their stunted forms and weedy,
For townsfolk have no time to grow, they have no time to waste.

And I somehow rather fancy that I'd like to change with Clancy,
Like to take a turn at droving where the seasons come and go,
While he faced the round eternal of the cash-book and the journal --
But I doubt he'd suit the office, Clancy, of `The Overflow'